To be quite honest about it, Tara Subkoff’s #Horror is a mess. I love that it’s a movie dominated by women, from the director, most of the creative team and the vast majority of the cast, but it’s mostly atmosphere hung around the thinnest of plots (which, upon reflection, doesn’t make too much sense) and characters who are barely there. But there’s something compelling about Subkoff’s vision and take on this material that transforms it into something beautiful and frantic.
Halloween Horror Week: Ginger Snaps (2000)
John Fawcett’s Ginger Snaps is not the first to make the connection between menstruation and lycanthropy (and I doubt it will be the last), but along with screenwriter Karen Lee Hall, it offers a darkly funny, scary and touching metaphor for the changes girls face during adolescence.
Halloween Horror Week: Ghostwatch (1992)
Unlike a lot of “found footage” horror, Ghostwatch actually aired “live” on Halloween night, 1992 (it was taped weeks earlier). While it was an episode of the drama anthology series Screen One and aired in its usual timeslot, beyond some brief credits, there was little to indicate that this was anything other than the live special it was purporting to be.
Halloween Horror Week: The Falling (2014)
For the first half-hour of The Falling, we’re in what feels like a quiet English drama about a girls’ school in the late 1960s. But after the beautiful popular Abbie (Florence Pugh) dies and her best friend Lydia (Maisie Williams) and other girls begin fainting without cause, it becomes something much stranger and darker. Writer/director Carol Morley’s film is a moody exploration of every-day horrors through the eyes of girls and women.
In the Loop: Out of the Loop
Average time until the loop begins (mean): About 16 minutes The cause of the loop or inciting incident: I watched The Map of Tiny Perfect Things and decided to do this Number of time loops (at least the ones I counted): 213 Lessons learned: Time […]