To be quite honest about it, Tara Subkoff’s #Horror is a mess. I love that it’s a movie dominated by women, from the director, most of the creative team and the vast majority of the cast, but it’s mostly atmosphere hung around the thinnest of plots (which, upon reflection, doesn’t make too much sense) and characters who are barely there. But there’s something compelling about Subkoff’s vision and take on this material that transforms it into something beautiful and frantic.
Halloween Horror Week: #Horror (2015)
